Interview with the GRAMMY-nominated concert organist Gail Archer. The podcast, video and transcript are all here. She has fantastic advice on not only approaching a career in music, but in living life to it’s fullest. We talked about learning languages, some fascinating history, the magic of choirs and much more. This episode features music from several of her acclaimed recordings, and we discuss women composers, and the challenges facing women organists. We also speak about Musforum the international network for wormen organists that she founed. Gail’s work highlighting composers from many Eastern European countries including Poland, Ukraine, Bulgaria and Russia was a big part of this conversation and you’ll hear some of this music as well as that of Fanny Mendelssohn, a discussion of the Bach revival and interesting details about J.S. Bach himself, and one of Gail’s recordings of one of his sublime Chorale preludes. I learned a lot about the history of the pipe organ and gained not only a better understanding of the instrument and it’s vast repertoire, but I also gained important insights into the work of choir directors. One of the main topics Gail addressed was how to build a robust career and live a full life, with sensivity, curiosity,  intelligence and determination. 

Gerry Bryant is a brilliant classically-trained pianist, composer, and arranger. He came from a poor inner-city Cleveland neighbourhood, and was givin an opportunity to attend the prestigious Phillips Academy, then Harvard university. He went on to get an MBA and a law degree, all the while continuing the expansion of his knowledge of different styles of music, and forming his jazz group Pocketwatch. This episode partly focuses on his Composers album, with music of Florence Price and Thomas Wiggins who was known as Blind Tom to his slave masters. Gerry reflects on how access to a musical education changed his life, and how wonderful it has been to discover and champion Black composers. One of the musicians that Gerry has collaborated with many times is the wonderful and versatile violinist Mark Cargill, whose playing is also featured in this episode. Like all my episodes, you can watch this on my YouTube channel or listen to the podcast, and I’ve also linked the transcript.

This week’s episode is a Catch-Up episode with the renowned film and televison composer and multi-instrumentalist Pat Irwin, and we are featuring lots of Pat’s music for you today in different styles from many of his projects. My previous episode with him is linked as well. This 2024 conversation also jumps around Pat’s varied and fascinating creative life. You’ll hear more stories and music from some of his acclaimed cartoon music from Rocko’s Modern Life and songs from Pepper Ann. We talk about, and you’ll hear music from some of his projects, including rocking out with the PI Power Trio with Sasha Dobson and Daria Grace, and new albums coming out with Cynthia Sley, with SUSS and with Julia Heyward. I’m blown away by Pat’s detailed memory and this episode is rich with interesting stories, and also his down-to-earth advice.

Like all my episodes, you can watch this on my YouTube channel or listen to the podcast, and I’ve also linked the transcript.

Thomas Cabaniss is a wonderful American composer of works for opera, theater, dance, film and the concert stage, and also a visionary Teaching Artist. He’s been a member of the faculty of the Julliard School since 1998, and leads the Lullaby Project at Carnegie Hall, serving young parents in shelters, hospitals and prisons with collaboratively created songs for their children. We talk about all this and much more, inluding his work creating Carnegie Hall’s Link Up. I was curious about these many facets to Thomas’ life as both a composer and educator, and you’ll find this episode has gorgeous, inspiring music , as well as great stories from his diverse career as a Teaching Artist, working with music educators, students of all ages, and meaningful outreach in the community. You’ll hear performances from pianists Michael Shinn and Jessica Chow Shinn, singer Joyce DiDonato, and towards the beginning of the episode you’ll hear some of Thomas’ great music for string quartet, performed by the Charleston Symphony String Quartet.

Avi Kishna is a Dutch sarod player based in Amsterdam, of Indo-Surinamese heritage. You’ll get to know the sarod as an instrument and hear Avi’s perspectives on Dutch society and his interesting collaborations. Among his mentors is his inspiring father, Ramdew Kishna, a multi-talented musician, director, and painter, who played a pivotal role in shaping Avi's musical journey along with his guru, Koustuv Ray. As a young man, Avi embarked on a successful career as in sales and marketing, but during this time he pushed music aside, and I found it deeply touching to hear how he was able to come back to music with the wisdom of having left such an important part of himself behind. You’ll hear about Avi’s project working with schools in Amsterdam to help provide music programs in underserved communities and this episode features some of his sarod music.

Pierre Chrétien is a Canadian bandleader, multi-instrumentalist and composer who has had international success with his bands The Souljazz Orchestra, Atlantis Jazz Ensemble and his project Cinephonic, and in this episode you’ll learn about all of these and hear highlights from some of these albums on the Marlow Records label. Pierre shares how left his career as an Engineer to devote himself to a full-time career as a performer. He also demonstrates some rare vintage instruments at the beginning of this episode, which he’s also an expert at repairing.

Edison Herbert: “The three of them, George Benson, Wes Montgomery, Grant Green were my favorite options mainly because they really, in my opinion, they really knew how to connect with an audience and they choice of repertoire was always, it was accessible. And I think it's quite easy to forget that you can increase your audience if you think about what you put in front of them, because everyone, it's like food. Everyone doesn't eat the same thing. So if you mix it up and put different ingredients in, then you are more likely to increase your audience.”

This episode is a special Catch-Up episode with the Dutch guitarist and composer Marc van Vugt, who was previously featured in Season 2 with his album The Lonely Coyote. Today you’ll hear a selection of highlights from his new solo guitar album, The Curious Badger. We caught up on some of his recent projects, and he also shared some wonderful insights into his creative process, and different ways for independent musicians to find audiences for their music.

This episode is unusual because 4 musicians are featured, the members of the Euclid Quartet. They are a world-class string quartet celebrating their 25th anniversary with a fantastic album of short pieces, entitled Breve, and we are featuring several pieces from that album as part of this episode. I was curious to learn more about the many roles the quartet plays in their capacities as performers, educators and collaborators, and to hear them speak about the special joys and challenges of being members of a full-time quartet.

In this episode, we talk about Chuck’s excellent album Oshki Manitou, which expands his work as a trumpet player, arranger, and composer. He’s woven together ceremonial sweat-lodge melodies with jazz, funk, dance and electronica and this episode features tracks from that album. He’s such a powerfully lyrical trumpet player, and you’ll be deeply touched to hear his inspiring story of moving through trauma and addiction to helping others through counseling and music.

Frank Horvat is an acclaimed Canadian composer and pianist whose music has been featured on over 20 albums. In this episode you’ll hear how he has forged meaningful collaborations with a wide range of musicians internationally, and found and given solace to audiences through his focus on themes of mental health, the climate crisis, and social justice. Like all my episodes, you can watch this on my YouTube channel or listen to the podcast, and I’ve also linked the transcript to my website

Guy Donis grew up in Belgium, where he had fallen in love with the banjo and proceeded to dedicate his life to it. In this episode, he describes how he taught himself 5 string banjo, learned about Bluegrass, and expanded his musical horizons by collaborating with jazz and classical musicians. He immigrated to Canada many years ago, and is well-known in the Montreal music scene. He has toured Canada extensively with Notre Dame de Grass and other bands, and in this episode he talks about his newest project, the Montreal Bluegrass League, and a track from their latest album is included in this podcast. Some tracks from his two trio albums are also included earlier in this episode, in which you can hear Guy’s progressive jazz-influenced original music. Like all my episodes, this is available as a podcast, video, and transcript, all linked here.

Jeeyoon Kim is a very special concert pianist who has opened meaningful connections to new audiences through her innovative concerts, albums, podcast, and now her book “Whenever You’re Ready”. You’ll learn how she sold out her Carnegie Hall debut recital without knowing one person in New York, without an agent or winning a competition. She’s generously shared 3 tracks from some of her albums that punctuate this episode, and please head over to her website which linked in the description. I was so honoured when Jeeyoon agreed to be part of this series, because I knew her wisdom, personal story and her music making would resonate strongly with you.

J. Walter Hawkes is a 4-time Emmy-winning composer for the PBS series Peg + Cat and Wonder Pets, is a renowned jazz trombone player, and also performs as a jazz vocalist, ukulele player, and pianist. As a young man, he survived a horrible accident which changed the course of his life. We talk about this and his mentors including the legendary Slide Hampton, how he got into composing for Blues Clues, and many hilarious and heart-warming personal stories. Those of you who listened to my episode with Pat Irwin will remember his album Wide Open Sky with Walter, and we’re featuring two pieces from that album in this episode along with an impromptu performance of Cole Porter’s Get Out of Town. Walter’s love of adventure really comes through in this conversation, and it’s really inspiring to hear how he’s built such an interesting career in music.

For this first episode of Season 4, I welcome the violinist, author and coach Jennifer Roig-Francoli. We talk about her newly released  book, “Make Great Music with Ease! The Secret to Smarter Practice, Confident Performance, and Living a Happier Life”, and Jennifer’s The Art of Freedom Method which incorporates the mind-body skills of the Alexander Technique. This episode also features excerpts from her solo violin album, Solo con Spirito, with music of Kreisler, Enescu and Bach.

Jennifer had the opportunity to study with Nathan Milstein, Josef Gingold and Stanley Ritchie  and has had an interesting career as a performer, including with Appollo’s Fire. We talk about performing barefoot at Carnegie Hall, travels to India, and in Jennifer’s words” how you do one thing is how you do everything”. I myself have been helped by different mind-body practices including the Alexander Technique to address habitual tensions in my own life.

I trust this inspiring and helpful episode will be of help to you, both musical performers and not, because the content of this discussion addresses universal challenges for all of us.  Like all my episodes, you can listen to the podcast, watch the video, or read the transcript, all linked here.

The innovative sitarist and composer Mohamed Assani is featured in this episode, linked here is the podcast, video and transcript. Mohamed demonstrates on both sitar and tabla, speaks to me both about his own journey as a musician and about the history of the sitar and South Asian music. In this conversation a couple of compositions from his album Wayfinder are featured. Wayfinder inco rporates a range of stylistic influences, including South Asian Classical, Middle Eastern, jazz, funk, Western Classical, ambient & electronic music. Mohamed shares his perspectives as an educator and creator: “So sitar to me will always be a challenge, right? Music is bigger than us, I believe. So if I can do something like that, what do I learn from it? It just gives me a lot of things to reflect about me as a person. So you start having these kinds of conversation with yourself, and once you accept that whoever you are is going to show on the stage, and that happens, right? So then maybe you start fine tuning some aspects of yourself.”

Ceara Conway is an Irish contemporary vocalist and visual artist, and this episode features music from her album CAOIN as well as excerpts from some of her other projects. I find Ceara’s curiosity about so many important topics around arts and culture really inspiring and this conversation circled around to her explorations of different languages and cultures as well as her rootedness as an Irish speaker. The podcast, video and transcript are linked here.

EmmoLei Sankofa is a an American composer, producer, musician, and artist whose work spans music, visual media, and fine art. In this episode we focused on her original music for Hulu's The Other Black Girl, the film score for Three Ways and her project Geometry, and we talked about her unique use of morse code in her compositions, and the benefits of limitations in creative work, and so much more! The podcast and video versions of this interview along with the transcript are all linked here.

This week’s episode is with the award-winning GRAMMY-nominated harpist and composer Kirsten Agresta Copely. Kirsten has had a really diverse career, starting with rigorous classical training as a young child, an illustrious career as an internationally touring solo harpist, and then a contrasting career performing with pop and rap icons such as Beyonce, JayZ, Lady Gaga, Stevie Wonder, Alicia Keys and so many more famous artists, lots of studio work, and as a composer and arranger. In this wide-ranging conversation we talked about dealing with grief, ways of dealing with stress and anxiety, and many insights from Kirsten’s unique path through the music industry, including as an educator and mentor. This episode features a lot of her beautiful and soothing music.

This week’s episode is a special double episode with the jazz piano duo of Peter Hum and Steve Boudreau, who have recently released their album Nonlinear Blues. Peter and Steve performed three of their original tunes for this podcast and we’ve also included some of their other compositions from their respective discographies, and in terms of the conversation, it was a wide-ranging dialogue with interesting insights from their contrasting careers, Peter primarily as a music and food journalist, and Steve as an educator and performer across many different styles. We got into restaurant culture, how to memorize music, and the importance of encouraging creativity and individuality. At it's core, this is an episode very much about the importance of supporting and encouraging each other.