This is my second conversation with Grammy-winning producer Ian Brennan, whose work continues to make a meaningful impact around the world. If you missed Part 1 of our interview, be sure to check the link in the show notes.

In this episode, we explore Ian Brennan’s remarkable approach to recording music in some of the most remote and overlooked places on Earth. You’ll hear stories from his travels to Ghana, where he recorded in witch camps, as well as projects in Bhutan and within unhoused communities in Oakland, California—near where he grew up.

This ongoing series highlights more than 50 albums Ian Brennan has produced, many of which have helped local musicians gain international recognition and perform outside their home countries for the first time.

In addition to his work in music production, Ian Brennan is also an accomplished author and a respected expert in nonviolent crisis resolution. In this conversation, we also discuss his book Peace by Peace and the philosophy behind his work.

The excerpts the albums featured in this episode are linked in the show notes.

Trombonist Jeff Albert joins me for a two-part conversation. The beginning of this episode explores the unique Guthman Musical Instrument Competition at Georgia Tech which celebrates musical inventors from around the world. You’ll be hearing some of these instruments from this year’s competition and you’ll find that information linked in the show notes. The second half of this episode is about Jeff’s life as a trombonist, improvisor, music technologist and professor. You’ll hear about his many years playing and recording in New Orleans across many styles and how digital media pairs with his interest in experimental music. All the music excerpts you’ll hear are linked in the show notes for you, from several of Jeff’s albums. Whether you play in a laptop orchestra or have only the vaguest idea what that means, you’ll enjoy Jeff’s great stories and insights. 

I’ve been following the Guthman competition for a couple of years and I’ve also linked several previous episodes for you with musical instrument inventors in the show notes, as well as some of the other trombone players I’ve featured. 

You can watch the video  on my YouTube  or listen to the podcast, and I’ve also linked the transcript.It’s

You may know Scott Nygaard from his career as a guitarist in the bluegrass and acoustic scene for more than 30 years, his work as former editor and writer with Acoustic Guitar Magazine, or as one of the co-founders of Peghead Nation. You may not know his novel Evergreen, based on his transformative first year at Evergreen College in 1973. I love a coming of age story, and this is very much a tale musical growth and about the loss of innocence during a time of societal changes . We also explore Scott’s most recent album, Flown South which was recorded after a serious accident, when Scott had to relearn to play guitar.

 You’ll also be hearing music from his wonderful album Rosco with the Swedish guitarist Roger Tollroth, best known as a founding member of Väsen. Another collaboration you’ll be hearing about is Crow Molly, which features mandolinist Joe K. Walsh (a previous guest of this podcast). Scott shared his experiences recording with Chris Thile, touring with Joan Baez, and his move to Chile. I really enjoyed this opportunity to hear Scott’s wise observations on what really matters in a creative and connected life well-lived. 

I was honoured to have this opportunity to record this conversation with the phenomenal violinist Sara Caswell, who is a GRAMMY Nominee for the Best Improvised Jazz Solo. We focused on the recent 9 Horses album, Strum with mandolinist and composer Joseph Brent, and she also spoke to me about some of her other collaborators including esperanza spalding, Chuck Owen, Nadje Noordhuis, and mentors including David Baker, Mimi Zweig and Josef Gingold. She shared how she started playing the 10 stringed Hardanger d’amore, her rich early musical life in Bloomington, and how she is grounded and inspired from her family and friends. 

Interview with the pioneering percussion soloist Lisa Pegher. The podcast, video and transcript are all linked here. Lisa Pegher is a brilliant American percussion soloist and drummer, and also a composer, improvisor and software engineer. She is known for pioneering percussion as a solo instrument within the orchestral realm and beyond, making it her life’s work to present percussion to larger audiences by commissioning, collaborating, and creating new works and performances that bring percussion to the front of the stage.cently, she premiered a We talked about her new concerto/show, "Circuits and Skins," written for her by Paul Dooley, which explores ways to meld orchestra with Electronic Dance Music, and also her project A.I.RE (ARtificial Iintelligence Rhythm Evolution. You’ll hear about her perspectives on self-care, social media, the value of mentors, and a fascinating variety of her performances during this episode.

Thomas Cabaniss is a wonderful American composer of works for opera, theater, dance, film and the concert stage, and also a visionary Teaching Artist. He’s been a member of the faculty of the Julliard School since 1998, and leads the Lullaby Project at Carnegie Hall, serving young parents in shelters, hospitals and prisons with collaboratively created songs for their children. We talk about all this and much more, inluding his work creating Carnegie Hall’s Link Up. I was curious about these many facets to Thomas’ life as both a composer and educator, and you’ll find this episode has gorgeous, inspiring music , as well as great stories from his diverse career as a Teaching Artist, working with music educators, students of all ages, and meaningful outreach in the community. You’ll hear performances from pianists Michael Shinn and Jessica Chow Shinn, singer Joyce DiDonato, and towards the beginning of the episode you’ll hear some of Thomas’ great music for string quartet, performed by the Charleston Symphony String Quartet.

Pierre Chrétien is a Canadian bandleader, multi-instrumentalist and composer who has had international success with his bands The Souljazz Orchestra, Atlantis Jazz Ensemble and his project Cinephonic, and in this episode you’ll learn about all of these and hear highlights from some of these albums on the Marlow Records label. Pierre shares how left his career as an Engineer to devote himself to a full-time career as a performer. He also demonstrates some rare vintage instruments at the beginning of this episode, which he’s also an expert at repairing.

In this episode, we talk about Chuck’s excellent album Oshki Manitou, which expands his work as a trumpet player, arranger, and composer. He’s woven together ceremonial sweat-lodge melodies with jazz, funk, dance and electronica and this episode features tracks from that album. He’s such a powerfully lyrical trumpet player, and you’ll be deeply touched to hear his inspiring story of moving through trauma and addiction to helping others through counseling and music.

Guy Donis grew up in Belgium, where he had fallen in love with the banjo and proceeded to dedicate his life to it. In this episode, he describes how he taught himself 5 string banjo, learned about Bluegrass, and expanded his musical horizons by collaborating with jazz and classical musicians. He immigrated to Canada many years ago, and is well-known in the Montreal music scene. He has toured Canada extensively with Notre Dame de Grass and other bands, and in this episode he talks about his newest project, the Montreal Bluegrass League, and a track from their latest album is included in this podcast. Some tracks from his two trio albums are also included earlier in this episode, in which you can hear Guy’s progressive jazz-influenced original music. Like all my episodes, this is available as a podcast, video, and transcript, all linked here.

In this episode, you get to hear the brilliant and engaging keyboard player and composer Kait Dunton in both conversation and a mini theory workshop on her hit tune This One’s For You! In this wide-ranging conversation, we talked about her early days with Snarky Puppy, recording the soundtrack to A Beautiful Day in the Neighbourhood, her love of vintage keyboards and the challenges they present, and her unique approach to teaching which has been influenced by her mentor John D’earth. Kait has gained a huge following on social media like Instagram and TikTok, so I was curious to get her perspectives on connecting with her fans, and dealing with necessary boundaries. Kait’s new album Keyboards features the sounds of the 1970s and we got into some of her influences and her personal journey to becoming a full-time performer.

Jah’Mila: Rooted in Reggae and Connecting with New Audiences

Linked here are the podcast, video and transcript for this in-depth interview with the Reggae artist Jah’Mila which also features tracks from her album Roots Girl.

I had a lot of fun stitching together some of the many highlights from this Season 3 so far, in a 10 minute compilation in which I've included clips from every full episode in 2023 so far! It’s time for my summer break, but the podcast will be back September 2nd with a special episode with two composers who are life partners and also work together with Hans Zimmer at Bleeding Fingers Music. Anže Rozman and Kara Talve will inspire you with both the music of Prehistoric Planet and their personal stories, insights and compositions.

Elizabeth Pallett is a wonderful British lute player. Her love of Renaissance music and history is infectious and she has generously provided this episode with several of her beautifully produced YouTube videos; her channel Luteweb is linked in the description, as well as her duo Amarylli with soprano Hannah Grove. We talk about the history of the evolution of plucked instruments in Europe, and many fascinating historical figures including Dowland and Shakespeare.

In my very first interview, E1 S1 Kirsty Money introduces us to the nyckelharpa and we learn how she started playing this beautiful and unique instrument. The full transcript is published here, and there are links to both video and podcast, along with bonus episodes. Kirsty performs solo Bach, a traditional Swedish tune and one of her original tunes The Grind Polska during our conversation.