This is my third conversation with Ian Brennan in this mini ongoing series with him, within my podcast. If you missed Parts 1 and 2 they are linked .Today you’ll hear about how he recorded some of the oldest voices in the world in Azerbaijan, and some of the bonus tracks including  the Kronos quartet and The Good Ones.  Ian shared how he met the Malawi Mouse Boys and then brought them to international attention, and what  that has meant for them. We talked about the Chicago Gunfire Survivors project, Ian’s book Peace by Peace, 99 Steps Toward Violence Prevention and De-escalation, and the powerful Parchman Prison albums. At the end I asked him about his Grammy-nominated album with Ramblin’ Jack Elliot “I Stand Alone”.

Karen Power is an Irish composer who uses environmental sounds and acoustic instruments in her intriguing work. She is a master field recordist who has recorded sounds in some of the worlds most isolated and challenging locations including The Arctic, Amazon, Namib Desert, Outback Australia, and Antarctica. She has shared clips of her work including The Bats of Namibia, Frogs of Angor Wat, fascinating bog sounds and arctic ice sounds in collaborations with the Quiet Music Ensemble and many brilliant collaboraters on her project human nature.  She’s also shared with us a raw field recording from her recent trip to record a double cicada brood emergence. She certainly helped deepen my awareness to soundscapes that brought me back to my first encounter with this idea when I took a course on Soundscapes from R. Murray Shafer. Karen and I also talked about her projects working to explore listeneing, composing and improvising with young children and other related projects to provide inclusive music making with people living with disabiliities. 

 Like all my episodes, you can watch this on my YouTube channel or listen to the podcast on your favourite platform, and I’ve also linked the transcript.