In this episode I speak with a wonderful colleague, the Bass Trombonist Douglas Burden, who has recently retired from Canada’s National Arts Centre Orchestra after 50 years. He shares his perspectives on his career, including wisdom passed down from some of his mentors including Emory Remington and Arnold Jacobs, and the lessons he learned about staying healthy and keeping his playing at the highest level. Doug is also well-known as an educator and will continue to teach at the University of Ottawa; he also shares his thoughts on what an orchestral career means, his memories of different conductors, his practice tips, and the importance of balancing different aspects of a life well-lived.

I find my colleague Anna Petersen is such an inspiring person both as an incredible musician in her role as an oboe and English horn player and teacher, and as founder of Passionflower Yoga. In this conversation, we talk about life’s challenges as a performer and the dangers of perfectionism and the importance of self-compassion, and how her experience as a yoga practitioner and teacher have supported her both physically, psychologically and spiritually. Anna’s positivity really comes through in her beautiful playing, which you’ll get a taste of at the beginning of the episode, and in the way she has navigated some difficult life circumstances.

Elaine Klimasko: “But I do say to all of my students though, if you think that playing in a symphony orchestra is secondary, that's the worst thing you could be thinking because the joy of orchestral playing, and I'm sure you feel the same way, Leah, is, there's nothing in life to me that compares with that. When you're playing one of those grand symphonies and that buildup a crescendo and you hear the horns and the French horns... I mean, I'm just covered in goosebumps. In my seventies still, and I don't know of any other profession that makes you feel that way. Maybe a doctor delivering a baby. I don't know. But it's pretty special.”

In this episode speak with the violinist Elaine Klimasko, who is a Canadian violinist who joined the newly-formed National Arts Centre Orchestra in 1969 as the youngest member, and is well-known as a teacher. Her students are very frequently winners of competitions and hold important positions as chamber and orchestral musicians all over North America. In 2003 NACO Music Director Pinchas Zukerman asked her to launch the first Junior Young Artists Programme for the NAC Summer Music Institute. In this episode she tells many stories from her life, and about some legendary teachers she studied with including Josef Gingold and Lorand Fenyves. She reflects on her long career, from the perspectives of a teacher and as a player.

I spoke to the renowned bassoon player Christopher Millard about many topics, including many fascinating insights into the orchestra profession, the physics of sound production on both the bassoon and violin, great advice on how best to practice music, the legendary flutist Marcel Moyse and much more. Podcast Video

I speak with Arna Einarsdóttir who was at the time the Managing Director of the National Arts Centre Orchestra Canada. Previously she was the Managing Director of the Iceland Symphony Orchestra. Earlier in her career she worked as a flutist, playing with the Iceland Symphony Orchestra from 2000-2004. In this wide-ranging conversation, Arna's warmth and engagement really come through. It is really interesting to hear her perspectives due to her involvement with the orchestral world in very different roles.

Jack Everly is well-known to audiences throughout the United States and Canada for his Symphonic Pops programs, conducting and charismatic storytelling during which he imparts his wealth of knowledge. In this lively conversation we discuss his distinguished career and perspectives.

I speak with Yosuke Kawasaki, the wonderful Concertmaster of the National Arts Centre Orchestra in Ottawa, Canada . He talks about the challenges of staying grounded during this pandemic, his experiences studying with Dorothy Delay at both Julliard and Aspen festival, the inspiration he found in many of his peers growing up, and the conversation circles around to his role as concertmaster, and advice for young colleagues playing auditions.