The trumpet player and composer Nadje Noordhuis joined me  for a wide-ranging conversation about identity, creativity, and carving out a life in music on her own terms. Nadje reflects on her early musical upbringing in Sydney, Australia, and the formative training that led her toward jazz trumpet. She remembers her friend Lois Martin, and Nadje speaks candidly about experiences of sexism in the music world, and the challenges of breaking into the New York jazz scene—financial struggles, years at the Manhattan School of Music, and finding her footing as a woman in jazz.

She reflected on her collaborative project Multitudes with composer James Shipp, and you’ll be hearing clips from that project as well as Gulfoss with Maeve Gilchrist, Full Circle with Fred Hersch.  She talked about being about to record with the legendary engineer Jan Erik Kongshaug, and Nadje encourages all of us to take risks to follow our own paths. 

 Bente Illevold: 

*interview with the internationally renowned Norwegian Euphonium Soloist, podcast, video and transcript

*how she has created a unique career path

*euphonium music including Katherine Needleman’s  commission from Kyrese Washington

*how to address the problems around  inclusivity in the low brass world

*music pedagogy, choosing repertoire and practice skills 

* mind-set, perfectionism and self-reflection

* Rendalen Low Brass Seminar 

Naomi Moon Siegel is an award-winning trombonist, improvisor, composer and educator. In this episode we’re highlighting her beautiful sextet album Shatter the Glass Sanctuary, and you’ll hear her reflections on the valuable mentorship process with Allison Miller and brilliant collaborators including Marina Albero and Ray Larsen. Naomi reflected on her journey finding a supportive musical community, overcoming injury, and how she’s advocated for intersectional gender justice for many years through her workshops for fellow educators and music students.  We talked about some of her mentors including Kristen Strom, Wayne Horwitz, and her duo project the Syrinx Effect with Kate Olson. Naomi shared how her career path has been shaped by personal decisions and outlook,  some of her experiences on several inspiring trips, as well as how she’s able to find grounding and inspiration in both her new physical landscape in Montana and her new emotional landscape as a parent. 

 Like all my episodes, you can watch this on my YouTube channel or listen to the podcast on all the podcast platforms, and I’ve also linked the transcript.

Katherine Needleman is a wonderful oboe player,  who has been the principal oboist of the Baltimore Symphony  since 2003. She’s also active as a solist and chamber musician, and is on faculty at the Curtis Institute of Music.  She is a champion of music of our time and you’ll find her recordings and many projects on her website. To many listeners in the Classical Music world, she’s probably better known for her Substack articles and posts on social media that address misogyny, sexual misconduct and assault, and the lack of diversity and equity in the Classical music world. In this conversation you’ll hear about some of her activism and advocacy work , and different aspects of Katherine’s life as a musician, including her work as a composer and educator, and mentors including Jennifer Higdon. Please note the timestamps to navigate the episode.  I regret that I didn’t get into improvisation with her, because she’s also an excellent improvisor and has put out an album of improvised chamber music “The Marmalade Balloon”. Perhaps we can get into this next time she comes on the podcast! Linked here: podcast, video and transcript.

Karen Donnelly is the Principal Trumpet player of the National Arts Centre Orchestra in Ottawa, Canada, and a well-known educator. In this episode, we get to hear Karen's beautiful playing, and I talk to her about her background, her work with the Canadian Women's Brass Collective , some of her unique outreach work and her resilient practice routine!